Veneer 13

11 1/2 x 6 x 3/4 inches (29.2 x 15.2 x 1.9 cm)
Letterpress, offset, inkjet, laser, and silkscreen printed paper, aluminum foil, iridescent cellophane bag, stickers, spiral bound with aluminum coil
122 pages, edition of 400

From handmade to mechanized, from the body to the shop, the code makers are the code breakers—this circuit is closed. Handpicked, letterpressed, offset, inkjet, silkscreened, foil stamped, spiral bound, soup to nuts. Artist as editor, publisher, materials hoarder and printer. Beatrix Potter’s Victorian journal beckons a dedicated decipherer; a neurosurgeon’s manual cautions technicians before imaging; a sheet of music by Juan Gabriel sets the tune for a bittersweet plea; and a North American gas producer leaves holiday gluttons and the nitrous galaxy clamoring. Primary sources are placed before us as documentary guidance. Warnings—from our elders and our experts—are directions for the preservation of our bodies and the earth. Veneer 13 sticks to the science for us to ponder: What Next?

CONTENTS
Leksell Stereotactic Killsat System Replacement Parts; List of Warnings – Dr. Fred McMurry
Recognizing Redevelopment: The 2nd Region 10 Howard Orlean Excellence in Site Reuse Award – Piper Peterson
Cantonment Airgas Event, Reddi-Wip Shortage, Starco Marketing – Malai Lapin
No Discutamos – Luz Elena Ruiz Bejarano
Modeling of Tacit Knowledge in Industry: Simulations on the Variables of Industrial Processes – Cláudio Roberto do Rosário, Liane Mahlmann Kipper, Rejane Frozza, Bruna Bueno Mariani
Similarities and Reflections – Andrew P. Wiltshire
Validation of the Labeled Magnitude Scale for the Assessment of Itch Intensity in Patients with Chronic Pruritus – Claudia Zeidler, Marvin Röchter, Sonja Ständer, Manuel P. Pereira

Flint Jamison was born in 1979 in Montana. Since receiving his M.F.A. from the San Francisco Art Institute in 2006, he has initiated the long-term serial publishing project Veneer, and has exhibited internationally, presenting solo exhibitions at Kunst Halle Sankt Gallen, Switzerland, Künstlerhaus Stuttgart, Germany, Miguel Abreu Gallery, New York, Galerie Max Mayer, Düsseldorf, Air de Paris, Paris, Artists Space, New York, Centre d’édition contemporaine, Geneva, Artspeak, Vancouver, and castillo/corrales, Paris, among others. His work has been included in group exhibitions such as Stand Up Comedy – Personals at 80WSE, Signal or Noise at S.M.A.K., Ghent, Other Mechanisms, curated by Anthony Huberman at the Secession, Vienna, the 2017 Whitney Biennial, curated by Christopher Y. Lew and Mia Locks, the 2014 Liverpool Biennial, curated by Anthony Huberman and Mai Abu ElDahab, and the 2016 Incorporated! – Les Ateliers de Rennes, curated by François Piron. 

His work is held in numerous private and public collections, including the Whitney Museum of American Art, New York; the Centre Pompidou, Paris; the Art Institute of Chicago; the Museum of Modern Art, New York; the Rijksakademie, Amsterdam; the Walker Art Center, Minneapolis; the Henry Art Gallery, Seattle; the Allen Memorial Art Museum, Oberlin; and the Princeton University Library, among others.