Torture Concrete: Jean-Luc Moulène and the Protocol of Abstraction

Torture Concrete: Jean-Luc Moulène and the Protocol of Abstraction

Reza Negarestani

September 2014
Sequence Press
Perfect-bound, 6x8in, 30pp.
ISBN 978-0-9832169-7-1


Reza Negarestani’s essay is published in conjunction with Jean-Luc Moulène’s exhibition, Torture Concrete, September 7 – October 26, 2014 at Miguel Abreu Gallery, New York. The text emerged out of a number of conversations between the writer and artist around the theme of abstraction both as a multi-faceted project in the general domain of thought and as a specific process of artistic experimentation. Negarestani sharply asserts abstraction’s origins as the dialectic between form (mathematics) and sensible matter (physics) and its otherwise flat interpretation in art history, and presents us with the redemptive possibilities for its enrichment and diversification through the lens of artistic practice.

Negarestani calls into question the “self-reflexive history of art” as having embezzled this singular definition of abstraction, so that one can no longer link it to its constitutive gesture or procedural coherence, and locates Moulène’s work safely at the outer-edges of this “impoverished” history. He asserts that for Moulène, “the task of art is rediscovered not in its ostensible autonomy but in its singular power to rearrange and destabilize the configurational relations between parameters of thought, parameters of imagination and material constraints which parameterize the cognitive edifice.”

Moulène seeks to define new objectives for art and to further revise its task using his own working paradigm of topology and dynamic systems. Within the artist's work—the work of systematization of experimentation and producing tools for thinking—Negarestani finds a reassuring pursuit in practice, that of the unearthing of a buried dialectic, and a worthy response to his problematic: “We’ve all heard of abstraction, but no one has ever seen one.”

Both men work in search of a means of emancipation from a tortured position (as writer, artist, human­). For Moulène, making a change to the body, a change from within, works alongside the notion of thought making a difference in the world. But in order for thought to do this, as Negarestani suggests, “first it must make a difference in itself—this is where abstraction finds its true vocation.”

Reza Negarestani is a philosopher. He has contributed extensively to journals and anthologies and lectured at numerous international universities and institutes. His current philosophical project is focused on rationalist universalism beginning with the evolution of the modern system of knowledge and advancing toward contemporary philosophies of rationalism, their procedures as well as their demands for special forms of human conduct.






Jean-Luc Moulène
Torture Concrete
September 7 - October 26, 2014
Miguel Abreu Gallery, New York

A Review of Jean-Luc Moulène's Torture Concrete
by Brendan C. Byrne